If you’ve read either my editorial in FANGORIA #313, or my
review of the coffin box-set in #314, you’ll have an inkling of my deep
emotional and intellectual affinity with Dan Curtis’ DARK SHADOWS and the two
films his revolutionary soap opera spawned. I’m also more than a little fond of
the world etched by professional eccentric Tim Burton, that incredible body of
work that veers madly between out of control cartoon (he was an animator first
and foremost, after all) and grandiose gothic horror tropes. In between those
two extremes sits the Burton mystique and love it or hate it, it’s his
mystique.
