Just for fun...I'm sure that more than a handful of you Fangorian's are fond of a little semi-lost late 80's horror satire called VAMPIRE'S KISS.
Robert Bierman's film -which incidentally makes a fantastic double feature with Mary Harron's AMERICAN PSYCHO - features a young, method acting Nicolas Cage as a soul dead corporate slug named Peter Leow who believes his one night stand (Jennifer Beals from FLASHDANCE) was a vampire and that he himself is slowly sharing her bloodsucking fate.
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In Paul Morrissey’s eccentric and utterly unhinged 1974 Eurotrash classic BLOOD FOR DRACULA (often erroneously credited as the brainchild NYC art guru Andy Warhol), the opening imagery of Dracula (played by iconic German weirdo Udo Kier) painting his face kabuki white has always haunted me. The sequence is the spine and soul of the picture, showing the good Count as a tired, lonely showman who has long been forgotten by time and by the audience he once terrified.
If you 
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